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My husband at the time, Jean-Michel Jarre, really wanted to do the music. I loved this book and I loved the character of Jessica. He was unable to do it, and the next one was the David Lynch one, which I was not in. [Laughs.] Denis Villeneuve, I’ve been admiring his work, he makes very big films but he has a European heart — he’s Canadian, but he has a great intimacy in the way he works. When he asked me to do that, it seemed to make sense.
Awards and nominations
Julita visits Rolf in Denmark, in search of the truth about her daughter Hania. Claire finds a connection between a travel agency and a Danish organization. Emma Darwin receives an unexpected visitor when she discovers her late husband's autobiography. She has been seen on the covers of Vogue, Interview and Elle magazines and CRUSHfanzine. In 2009, she posed nude in front of the Mona Lisa for Juergen Teller.[24] In 2009, Rampling appeared in Todd Solondz's Life During Wartime.
Paul Auster – a life in pictures
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This movie focuses on a dozen of the five hundred characters depicted in Bruegel's painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564. Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.
Movies
She has just moved, she explains, to a new place in Paris, the city in which she has lived for decades, and nothing is where she expects it to be. “Yes, I really was pinging,” she says, with that imperious cut-glass accent. “Pinging is when you’re at the right place at the right time, and you know you can just make magic happen everywhere.” We don’t ping often in life, she says, but when we do, it’s wonderful. In that film, Rampling played one of her prickliest characters, a callous and ambivalent mother who prefers to blithely take a bath during her daughter’s (Kirsten Dunst) wedding reception rather than make small talk or give toasts with the guests downstairs. Tessa Charlotte Rampling OBE (born 5 February 1946) is an English actress, model and singer, known for her work in European arthouse films in English, French, and Italian. An icon of the Swinging Sixties, she began her career as a model and later became a fashion icon and muse.
Charlotte Rampling films
I said, “There’s something happening here that’s working,” because it wasn’t just going into a big-budget film. That’s really what I wanted to speak to Matthew about. Because he had based it on his childhood, and the role was a loose portrayal of his grandmother—just in certain character traits and the fact she was in her 80s. When I read it, she was more of this cranky older woman, and I said to him, “I really would like her to be around my age. Maybe I could play this character in a few years, but I don’t really want to go there now.” [Laughs.] And he was fine with that.
Her Anne Boleyn in "The Six Wives of Henry VIII" (1972) also trod a delicate line between seductiveness and sadness as she attempted to bend the will of Henry (Keith Michell) to hers before meeting her fabled end. The film was condemned and celebrated with equal fervor during its release, but all parties agreed that Rampling's performance, which featured her in feverish scenes of morbid fetishism, was the film's highlight. The picture did much to cement Rampling as the thinking man's sex symbol, as did a 1973 layout for Playboy shot by Helmut Newton and a widespread rumor that she lived in a ménage-a-trois with her then-husband, publicist Bryan Southcombe, and male model Randall Laurence.
Her film roles include Georgy Girl (1966), The Damned (1969), Henry VIII and His Six Wives (1972), The Night Porter (1974), Farewell, My Lovely (1975), Stardust Memories (1980), The Verdict (1982), Angel Heart (1987), DOAThe Duchess (2008), 45 Years (2015), and Hannah (2017). She has also made television appearances, which include Dexter, Restless, Broadchurch and London Spy. It is rare to find a mention of Rampling that does not refer to her credentials as a muse. She has been a muse to François Ozon, who revived her film career in the late 90s, to designer Yves St Laurent and photographers Helmut Newton and Juergen Teller (posing nude for the latter in front of the Mona Lisa), and now to Andrea Pallaoro, too.
It was a little too almost like caricature, and I said, I think we can still make some fun with somebody who’s still got it in her, who thinks she can have more great love affairs, which I think his grandmother sort of did too. So we played with the feelings, the alive feelings of this woman, knowing she was going to die, but her alive feelings. Rampling continued to work in both English and French language projects, playing the Countess Spencer in The Duchess (2008), and later reunited with co-star Keira Knightley for Never Let Me Go (2010). In 2011, she appeared in Lars von Trier's Melancholia; the following year, she earned an Emmy nomination for her work in the BBC miniseries Restless. In 2015, she nabbed her first Academy Award nomination for her work in 45 Years. English actress Charlotte Rampling began her acting career in 1965.
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Meanwhile, Rampling starred "Rio Sex Comedy" (2010) opposite Bill Pullman and Fisher Stevens, and joined an ensemble cast for the biblically-themed drama "The Mill and the Cross" (2011). From there, Rampling was the superior of a Secret Service agent (Sean Bean) determined to stop a suicide bombing in the taut British thriller "Cleanskin" (2012). She went on to earn critical praise and A SAG award nod for her turn as a mother whose daughter investigates her past as a World War II spy in the made-for-cable movie "Restless" (Sundance Channel, 2012), which was adapted from William Boyd's award-winning novel. Tessa Charlotte Rampling OBE (born 5 February 1946)[1] is an English actress.[2][3] An icon of the Swinging Sixties, she began her career as a model.[4] She was cast in the role of Meredith in the 1966 film Georgy Girl, which starred Lynn Redgrave.
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“By the time he left, I knew I was going to do it,” she adds. As Rampling reached her sixth decade, her career showed no signs of slowing down. A fourth Cesar nod came in 2005 with "Lemming," a psychological thriller with Rampling as the neurotic dinner guest whose arrival signaled an explosion of ill feelings and violence. Rampling also made news during this period for launching a lawsuit in 2009 to prevent the publication of a biography, penned by a close friend, that detailed her emotional travails in the wake of her sister's suicide and the infidelities inflicted upon her by Jarre. "Night Porter" would prove a difficult film to surpass for any actress, but Rampling wisely sidestepped the problem by focusing on films that satisfied her as an actress, rather than those that simply generated more publicity.
At 17, she was spotted by a casting agent, and made her proper film debut (she was uncredited for a nightclub scene in A Hard Day’s Night) in the Boulting brothers’ comedy Rotten To The Core in 1965. A year later she struck gold with the 60s classic Georgy Girl, an upbeat comedy with a dark underbelly in which she played posh mean-girl Meredith. I remind Rampling of the trailer, which describes her as a “sexy little dish” and “a doll never out of trouble”.
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